Welcome to Objectivism Online Forum

Welcome to Objectivism Online, a forum for discussing the philosophy of Ayn Rand. For full access, register via Facebook or email.

  • °

    Objectivism Is The Everyman's Philosophy

    In the universe, what you see is what you get,

    figuring it out for yourself is the way to happiness,

    and each person's independence is respected by all

  • Rand's Philosophy in Her Own Words

    • "Metaphysics: Objective Reality"Nature, to be commanded, must be obeyed/Wishing won’t make it so." "The universe exists independent of consciousness"
    • "Epistemology: Reason" "You can’t eat your cake and have it, too." "Thinking is man’s only basic virtue"
    • "Ethics: Self-interest" "Man is an end in himself." "Man must act for his own rational self-interest" "The purpose of morality is to teach you[...] to enjoy yourself and live"
    • "Politics: Capitalism" "Give me liberty or give me death." "If life on earth is [a man's] purpose, he has a right to live as a rational being"

    Classical music

    By Malkuth,
    I've read some posts here, and the opinions of various Objectivists, and have noticed some patterns regarding taste in classical music. I'm asking about types of classical music in particular because that's what I'm familiar with, and I'd like to know better--I'd like to hear described in more detail--why Objectivists have the particular tastes they do in classical music, where they do like the genre. One observation is that Rachmaninov is almost invariably exalted as the primal example of musical genius, and his piano concertos (2 and 3) are given as iconic examples. A description about what appeals about Rachmaninov, and these concertos, would be appreciated. Another is that 'modernist' classical music, by composers such as Schoenberg, is almost invariably despised by Objectivists. Reasons for this--and examples of other composers and works--would also be appreciated. Any other information regarding tastes in classical music, (e.g. performers, how taste fits into aesthetic philosophy) would also be appreciated. (By the way, I've already read The Romantic Manifesto, for those who would just point me to that. I'm looking for your opinions, judgments, and understanding of the philosophy.)

    The Twilight Zone: Syria—2017©(pending?)

    By dream_weaver,
    Men are afraid that war might come because they know, consciously or subconsciously, that they have never rejected the doctrine which causes wars, which has caused the wars of the past and can do it again—the doctrine that it is right or practical or necessary for men to achieve their goals by means of physical force (by initiating the use of force against other men) and that some sort of "good" can justify it. It is the doctrine that force is a proper or unavoidable part of human existence and human societies.
    — Capitalism: The Unknown Ideal, pg. 35 Sometimes the distant beating of the war-drums, as read in the headlines of the news aggregates and resonating from their various news affiliates by the self-appointed modern-day medicine-men of the super-villages, can be heard setting a tempo for the march of Attila's henchmen to the battlefield—should they heed the call. With the recent activity in Syria, a Russia warship and 150,000 Chinese military lining up outside the combat arena. How many of the archer's have pinch-drawn their weapons in anticipation? Conjure an image of Theoden in Helm's Deep just before he utters "And so it begins." With this in mind, it was time to read The Roots of War again. Her mastery of the language leaped out in the opening line of the CUI quote. Men have never rejected the doctrine, i.e., men still accept the doctrine that force is a proper or unavoidable part of human existence and human societies. Alas, for those that have rejected it, there are still those who have not. A quick trip to Wookieepedia (The Star Wars Wiki) found that those on the Dark Side of The Force aptly drew their power from raw emotions and feelings (used as tools of cognition?). In reading The Hero with a Thousand Faces, Joseph Campbell provides an encounter with Microprosopus. Perhaps J.R. Tolkien ran across another historic reference that served as inspiration for his 'Eye of Sauron'. (The lidless eye, and per Tolkien . . . that never sleeps.) As she ended the paragraph previous to the one cited at the beginning of this post: "[W]ars have kept erupting throughout the centuries, like a long trail of blood underscoring mankind's history." I would have to add that the largest pools of blood in that underscore seem to be gathered where statism has been the most deeply entrenched.

    Carl Barney and NYT article

    By HandyHandle,
    The article
    “The Times Smiles and Sneers at Carl Barney, Ayn Rand, and Private Colleges”
    from last year’s The Objective Standard reviews the then recent New York Times article
    “An Ayn Rand Acolyte Selling Students a Self-Made Dream” (there’s a link to it in the TOS article). The NYT article says that Carl Barney “admits with some embarrassment” of “dabbling briefly ... in Scientology.”  Anyone know about this?  Do you think it matters?  

    Lost password for Objectivism CD ROM - can anyone help?

    By SanLorenzoJazzz,
    Hi - years ago I lost my Objectivism CD ROM when I moved from one state to another. Last week I found the CD - but I can't locate the little slip of paper with the password key. Does anyone know anyone who can help?  I definitely made a legitimate purchase - bought the CD back in 2007 from Amazon. (I emailed the guy at Oliver Computing, but don't know if it's an old email address) Thanks....

Portal by DevFuse · Based on IP.Board Portal by IPS