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Rope

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We just finished watching Alfred Hitchcock's Rope in my film class, and my mind was blown. Aside from the amazing technical skill evident throughout the movie (continuous filming on one set for about an hour and a half before the use of portable steady cameras, the lack of a score, incredible color, a skyline with a fabricated sunset, etc) the movie is gripping in its screenplay. Not only that, it is is rich in philosophy. Based on a famous trial (Loeb and someone) it is the story of two Harvard students who kill a fellow student after either misinterpretating Nietzsche or at least expanding on his ideas in the wrong direction. I would hate to give away anything more about it, as I have only explained the first two minutes. Anyway, I highly recommend this movie not only for its aestetics and entertaining qualities, but also for its themes which were a suprising contrast to what I expected after hearing the synopsis.

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The camera was the size of a refrigerator. It rocked back and forth as it moved, causing the picture to bounce. You can see it every time the shot starts to move. Very good picture. Extra long takes, body in chest and sexual tension all feed into suspense in what, on paper, is not really all that suspenseful.

Dial M For Murder was also shot with a gimmick (3D), and also managed to not let the gimmick get in the way (much). Hitch was always good about getting special effects to advance the story instead of override it.

-Q

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