Non-classical… I have some tastes, not well developed, but they’re all over the place.
In a bad mood, Anathema are good (though live they are AWFUL.) Failing that, Nevermore or Katatonia from ‘Discouraged Ones’ onward.
I am also a fan of Lacuna Coil. When Evanescence first popped up at first I thought that was the coilers finally getting some attention, but no. As to E, I like some of ‘Fallen’ but ‘The Open Door’ doesn’t inspire me.
Speaking of topnotch female vocals, I am similarly a fan of Nightwish (LOVE The Siren - the chorus from Ghost Love Score is wikkid soundwise, but the song overall is mixed). I haven’t heard any from Tarja since she went solo, so I can’t say anything about that. The older stuff from The Gathering before they went really mellow is okay, Enya on occasion, and sometimes Kari Rueslatten / Third & Mortal. In a REALLY dark mood I break out Shellyz Raven, but I’m starting to go quite off on SR now.
Helloween has its moments. The original ‘Keeper’ pair are fantastic, as is ‘Master Of The Rings’, which rank among my favourite albums of all. Some songs from ‘Chameleon’ are good, particularly Giants and Windmill, but beyond that I turn my nose up at their half-hearted christian-influenced feel.
Steve Vai’s Passion and Warfare is also good, but not so keen on Firegarden. Never took a shine to Joe Satriani, sorry.
For plain boys-will-be-boys-even-in-their-twenties-and-thirties fun, Drop Kick Murphys, a Boston Irish punk band.
Then there are bands with good music but totally sucky beliefs. Alchemist and 30 Seconds To Mars come to mind, to which one can only say “Your politics suck, but thanks for the music”.
–
Looking at all that lot, it’s strange stuff, with which I expect almost all Objectivists older than I would be less than impressed. My tastes have changed and grown up, though some of it I still like. I will try to expand it, as I can, over time. As to the present, two things come to mind. First, liking that doesn’t make me (or anyone else citing heavy metal or the best of doom metal amongst their likes) any less Objectivist, just as the tear-jearking music that Kira was crying to in We The Living does not make her at fault. However, it is indicative of problems if someone’s taste runs predominantly to sad music (of any kind) - but again not necessarily problems of a moral kind. Second, further questions of liking this sort of thing “versus Objectivism” are one of the key points Dr Peikoff laid to rest in Understanding Objectivism, so if anyone has any personal qualms or guilt orwhat not I suggest you consult that tape series - not that it gives license to indulge in anything and everything, mind.
JJM