When you go into a store and purchase a physical CD, _ exactly _ what agreement are you entering into?
The agreement that you enter into is between you and the store: you agree to give them however many bucks, and they agree to give you the CD. You do not enter into any agreement with the manufacturer of the CD. You are legally and morally obligated to obey the law, w.r.t. the manufacturer’s property, and that is completely independent of any notion of “agreement”.
But by purchasing this CD have I somehow agreed to do volunteer legal research into the matter so as to learn of any POTENTIAL restrictions on my usage?
In the sense that you also “agree to do voluntary research” when you buy a car, house, dog, or anything else. You might want to know that if your dog kills the neighbor child, you can be held responsible. Or if you drive your car into someone else’s house, you will be held responsible for the damage. So as far as a CD is concerned, you “need” to know that you may not make a copy without permission, and indeed you should know that in order to be a moral and law-abiding person.
You might also want to know whether you can get permission to copy, but with a music CD, I never care because I don’t need to make copies. De gustibus, I suppose.
I’ve never sold a second hand CD to someone, but I have bought used CDs in stores with the assumption that they have the legal right to sell used CDs.
Correct, because the physical object is your property.
That said, if there are clear terms on the packaging that state usage restrictions, I will definitely abide by those if I choose to go through with the purchase.
That’s … interesting. I’ve never seen any usage restrictions that are more stringent that “the law”. I could imagine, though, a seller labeling his CD “You may only play this CD on a genuine SONY CD player”. I would not be bound by such a phrase on the package, because when I buy a CD, I actually buy it and it becomes mine. Now, if the seller is not actually selling it but is leasing it, then it would not be my property, so I would not have the right to do anything to the CD at all, except that which was explicitly permitted by the lease agreement.
WRT copying music and software CDs, software copying is on clearly firmer grounds. Read the EULA and it will almost certainly tell you of your right to make a backup copy, and may tell you of your right to make “one home and one office copy”. I do not know of any software (other than copylefted software) that allows you to make any number of personal copies. (Maybe it exists, but I’ve never seen it). This is an example of the kind of permission required under the law. Properly done, it must be explicit, and without such a statement, you are violating the law to make a backup copy. (In fact, I have a piece of software that can only be registered on one physical machine at a time, and has to be uninstalled to move it – I have no idea what you do when your machine blows up).
OTOH the “right to pirate music”, which is now generally assumed – that you can make any number of copies for your various machines and people at home – is kinda bogus. RIAA has in the past stated that it’s okay for people to copy CDs to their Ipods or whatever.
RIAA points (in this page about “tools for parents”) to a cutesy document here, distributed by “Childnet”, which says “Copying music you’ve bought to your personal computer or player is a common activity which can generally be done without legal consequences”. We might then conclude that this constitutes permission. (RIAA actually had a similar statement on their page, but I can’t find it now – for good reason, I bet). But read carefully: it is a statement of fact, that you are unlikely to be prosecuted for violating the law. Furthermore, RIAA does not hold the copyright, and their saying “it’s okay” does not bind all of their members, nor could it even imaginarily bind any non-member, like a foreign manufacturer. When it comes to music, it’s pretty close to impossible to find out with reasonable certainty whether personal copying is actually permitted.
Morally speaking, you have to judge whether the conclusion “I have permission to make a copy” can be reached rationally. With a software EULA, it’s much clearer. With music, I honestly cannot say that I see the evidence that there is any such permission for personal use. At most, I see from rights-holders, a begrudging statement that there is little chance that they can detect IP theft unless it’s done in an open, P2P or other traceable fashion, and therefore you can probably get away with the crime. In my mind, that is not permission.