(Hmm, something for me to think about – the causal relationship from pragmatism to nihilism. Was Kant necessarily also a nihilist?)
Peikoff’s book is definitely good for understanding the kind of nihilism that Kant’s philosophy leaves in its wake.
Kant’s philosophy basically leaves a philosophical vacuum. Do your duty for duty sake. Any hint of self-interest in one’s actions leave us without moral “credit.” In fact, “credit” is selfish, Kant would say.
In pre-NAZI Germany Kant’s philosophy of duty and his metaphysics left many people in a huge state of self-doubt and anxiety; and ripe for the power-lusting type to step in and fill the vacuum to tell the masses what there “duty” was.
Eventually, the Kantian vacuum was filled by a sort of social-pragmatism, giving NAZI’s their own signature form of collectivism.
In particular, on the topic of “Nihilism” I’d recommend chapter “The Culture of Hatred” in “The Ominous Parallels.”
In discussing the pre-NAZI culture of German’s Wiemar Republic, he particularly talks about “nihilism” as the defining aspect of the their culture, and today’s culture. He states:
When the leading voices of the emotionalist [Wiemar] Republic championed “feeling,” it was not as a source of knowledge or of human happiness, but of freedom: the freedom from objectivity, method, logic, fact. It was feeling not as an alleged means to truth, but as the nullification of thought.
In a masterly essay analyzing the modern sense of life, Ayn Rand points to the pervasive twentieth-century attacks on intelligence, success, achievement, beauty, and identifies the essence and the evil of the spirit they reveal. That essence, she writes, is “hatred of the good for being the good.”(18)
The modern cultural rebellion is an eloquent testament, on an all-encompassing scale, to the truth of her identification. “Modern culture” is institutionalized hatred of the good. “The good,” in this context, includes reason, reality, and man.
This rebellion is not merely skepticism, which is an ancient theory denying that knowledge is possible; or pessimism, which denies that success is possible; or cynicism, which denies that virtue is possible; or decadence, which settles wearily for festering disintegration; or even sadism, which manufactures human pain. The term that captures twentieth-century culture; the term that includes all of these and every similar, value-annulling doctrine and attitude; the term that names the modern soul is: _ nihilism _.
" _ Nihilism _ " in this context means hatred, the hatred of values and of their root, reason. Hatred is not the same as disapproval, contempt, or anger. Hatred is loathing combined with fear, and with the desire to lash out at the hated object, to wound, to disfigure, to destroy it.
The essence and impelling premise of the nihilist-modern is the quest for destruction, the destruction of all values, of values as such, and of the mind. It is a destruction he seeks for the sake of destruction, not as a means, but as an end.
This is what underlies, generates, and defines "Weimar culture’’ (“The Ominous Parallels” pg 206).
Several pages later Peikoff makes Kant’s role in the culture of “nihilism” more explicit. He even goes as far as to call Kant the “Father of Nihilism.” On page 209 he states:
"Kant denies this world, not in the name of a glowing super-reality, but, in effect, of nothing, of a realm which is, by his own statement, unknowable to man and inconceivable. He rejects the human mind because of its very nature, while using the same kind of argument against every other possible form of cognition. He regards men, all men, as devoid of worth because they seek values, any values, in any realm.
Kant is the first major philosopher to turn against reality, reason, values, and man as such, not in the name of something allegedly higher, but in the name of pure destruction. He is not an otherworldly thinker, but an antiworldly one. He is the father of nihilism.
The moderate politicians of the Weimar Republic, anxious to combat the irrationalism of the entrenched professorate, created a new university at Hamburg, then elevated to the chair of philosophy Ernst Cassirer, one of the country’s top neo-Kantians. This indicates what Germany’s leaders grasped about the cause of their plight or about the effects of ideas.
The German intellectuals translated Kant’s system into cultural terms in the only way it could be done. They created a culture in which the new consists of negation and obliteration" (“The Ominous Parallels”, 209).