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Andrew Joseph Sandberg

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  1. I have yet to meet an honest Objectivist on this forum, so I will not be visiting again. If you take offense at my accusation, feel free to refute it, but I will not be reading it. I would say "may God have mercy on your souls," but since God is a fiction, I suppose you're doomed.
  2. Alan Watts claimed that reality is a manifestation of vibrating nothingness (his words; not mine). He is a supernaturalist through and through.
  3. This is a dishonest representation of Alan Watts. What Watts was actually advocating was viewing the world without concepts. His primary argument was formatted as such: He would begin by discussing the dichotomy between spiratualists and materialists and then claiming that niether is correct because they rely on the concepts of a "material world" and a "spiritual world", while reality, he claimed, is not a concept and therefore cannot be labeled "spiritual" or "material"- these terms bieng conceptual in nature. The basis of his teachings in meditation were experiencing life without using c
  4. Today on MPR (Minnesota Public Radio) Garrison Keillor paid a brief tribute to Ayn Rand, it being her birthday. His description of her philosophy was not entirely clear, but I was immensely excited to here her name on the radio by chance, and equally shocked by it, Garrison Keillor being an ardent Liberal. I find it encouraging that she is now respected enough that her name can be mentioned without inciting a torch and pitchfork yeilding mob. ...Which reminds me of a video I recently watched. It is a panel discussion with four Objectivist intellectuals discussing the Fountainhead's influ
  5. I'll do it. I take the position that Ayn Rand's views on sex are completely in accordance with man's nature. Specify how you would like to start.
  6. By William Blake Tyger! Tyger! burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand dare sieze the fire? And what shoulder, & what art. Could twist the sinews of thy heart? And when thy heart began to beat, What dread hand? & what dread feet? What the hammer? what the chain? In what furnace was thy brain? What the anvil? what dread grasp Dare its deadly terrors clasp? When the stars threw d
  7. A beautiful woman as such is of the same value as a flower or sunset. You ask what value it adds to a life. Beauty is the value.
  8. I am aware of the difficulty of creating art, but I don't judge works in relation to the artist or his longterm ambitions. I merely judge the work as an end in itself.
  9. You do not exist independently from existence. You are a consciousness- therefore conscious of reality. Your consciousness depends on something to be conscious of. Not to mention the fact that you exist. Something which exists cannot exist independently from existence.
  10. Joy is the feeling associated with successful action. Pain is the feeling associated with failure. Since all objective evaluations of success and failure must be subordinated to life as the standard of value, then fundamentally speaking joy is the feeling of life, pain the feeling of death. Orgasm being the most intense of all physical pleasures, Ayn rand deemed it a profound state of "metaphysical joy," or in other words- a heightened state of experiencing one's own existence, a state of consciousness where one's ephemeral emotional experience touches the core of its own standard. Thi
  11. A chair in a room would be the object of one's consciousness, and one must be conscious of it in some form. One cannot be conscious of something without being conscious of it in a certain way. You are making the Kantian mistake of calling a man blind for having eyes. Consciousness does not "subject" objects; it identifies them.
  12. I think it is important to discern the fact that although Vermeer may have intended "The Last Judgement" to be of conceptual importance, it does not act that way on a universal level. To understand such symbolism one needs a specialized knowledge of christianity and art. Art is for man- not man the scientist, or man the theologian, or even man the artist, but man as such. The theme of a painting must be available to the viewer by a process of induction from the content provided. Their is no specific content in this painting that connotes an allegorical theme. Like all of Vermeer's paintings,
  13. feminine romantic and and Besides the David I know of no sufficient examples of masculinity as sole theme
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